Endellion concert review 20 June 2019
Top English String Quartet celebrates forty years of playing together
Forty years is a long time for a group to work together but that is exactly the anniversary which the Endellion String Quartet has just achieved. On Thursday evening, the Endellion, one of the top string quartets in the country, gave a concert at Norden Farm hosted by Maidenhead Music Society. They opened the concert with an early work by Haydn, which they played with the poise and easy intimacy of four people who had worked for many years to arrive at their mutual understanding. Puccini’s ‘I Crisantemi’is a unique piece written by a composer principally renowned for his operas; it is short, but lyrical and melodious. Others play this with more elastic tempi and plentiful rubato, but the Endellion’s view was quite strict; some might have wished for more emotion.
But emotion was not lacking when the quartet tackled Czech composer Janacek’s 20thcentury masterpiece ‘The Kreutzer Sonata’ inspired by Tolstoy’s novella of the same title. It tells the story of a marriage disturbed when the wife is introduced to a young violinist and the husband falls prey to suspicions of infidelity. The music expresses anguish, anger, frustration, argument, despair, misery and resignation. The often-frantic score was brilliantly captured by the players, the flow of the music around the players being dramatically and clearly brought out.
The final work in the concert was Smetana’s first string quartet. It is another programmatic piece, described in a letter by the composer, also Czech, as a ‘tone picture of my life’. The first movement opens with a solo for the viola, played by Garfield Jackson, intensely and robustly. This mood was matched by cellist David Waterman on his rare 18thcentury cello by Giovanni Guadagnini, picking up the rumbustious bucolic character of the polka in the second movement. The final Vivowas haunted by the shrill top E on Andrew Watkinson’s violin, representing the onset of Smetana’s tinnitus and deafness before the music at last fades away to nothing. Throughout Watkinson was strongly supported by second violin Ralph de Souza in the complex interplays.
Linos Piano Trio deliver musical nectar of the gods
Named after Linos, the Greek demi-god of music, the Linos Piano Trio received a warm and enthusiastic reception at a concert presented by Maidenhead Music Society at Norden Farm last Thursday [25 April]. The Linos’ eclectic programme ranged through the 18th, 19th, and 20th centuries and opened with a short taster by CPE Bach, son of the now more famous Johann Sebastian.
The trio went on to play Beethoven’s Second Symphony; whereas the audience might have expected this to be performed by an orchestra of over forty, the composer himself had re-scored his symphony for only three instruments. It worked. The balance between pianist Prach Boondiskulchok, violinist Konrad Elias-Trostmann and cellist Vladimir Waltham was always delicately judged and the novel format will have been a revelation to many listening.
After the interval, the Linos went full-throttle into Brahms’ third and final work for this combination. The fire and passion of the writing was punctuated by the composer’s pauses, perfectly timed by the Linos, the sudden silences breath-taking. They persuasively mastered the technical and musical challenges of the piece including the very fast pizzicato passages.
The formal programme concluded with the Linos’ own arrangement of Ravel’s “La Valse”, where Ravel beguilingly opens his composition with attractive, lilting, almost-traditional waltzes which gradually morph into something more troubled and sinister. The mutual understanding of the three players built a darkening musical image with the utmost conviction. The audience’s enthusiastic applause brought its reward with an encore of Debussy’s lovely “Prélude à l'après-midi d'un faune” which sent everyone away happy.
Joanne Edworthy sings for Maidenhead Music Society at Norden Farm
Classical music lovers were given a special treat at Norden Farm last Thursday when High Wycombe mezzo soprano Joanne Edworthy sang at a concert presented by Maidenhead Music Society. She opened her recital with songs from Debussy, followed by little-known works for cabaret by Britten. The centrepiece of the performance was Schubert’s ‘Shepherd on the Rock’ where Joanne was accompanied by local clarinettist Ben Aldren. After the interval, Ben gave a riveting account of a theme and variations by Rossini, showing off his virtuosity with beautifully-controlled high-speed passages and elegant tone.
Joanne returned to the stage to sing Spanish songs by Granados and Obradors before closing the concert interpreting witty compositions by Sondheim. Her diction and articulation were exemplary, enabling every word to be clearly heard and her accents in French, Spanish and German were impeccably authentic. She added to the beautiful tone and clarity of her voice with facial expressions and body language which wonderfully illustrated the emotions she was singing about – passion, concern, wit, humour. Throughout, pianist David Alexander accompanied with delicacy and sensitivity, and considerable technical talent.